![]() Rick's teaching reflects his commitment to equipping student musicians and those guiding their professional development with the tools, knowledge, and skills necessary for success in the rapidly evolving musical workplace of the 21st century. His work encompasses two distinct audiences: music educators and young people aspiring to careers in the music industry. He is an active music technology clinician and presenter at conferences and workshops throughout the U.S. Rick has held positions in both the International Association for Jazz Education (IAJE) and the Technology Institute for Music Educators (TI:ME). To his work he brings the practical experience of 30 years as a professional musician, a clear vision for the future of new technologies in both music performance and education, and a passion for teaching. With the Maschine 2.0 software and the Maschine Studio controller especially, Native Instruments’ Maschine has taken the kind of quantum leap that Ableton Live took several versions in, where the software goes from being a very cool and useful music creation tool to being a full-scale production powerhouse. So when the audio 8 was released many months ago, I was speculative, and held off giving it a try due to the fact that I had already identified several good sound card options. ![]() Richard Schmunk is an assistant professor of pedagogical technology at the USC Thornton School of Music. Native Instruments has a impressive record in the software department but their hardware products have less of a history. ![]() He helps students adapt to new music tech.ĭr. Rick Schmunk is a professor at the USC Thornton School of Music.
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